Canon 50mm 1.2 L Series Lens Review

© Robert Huber Photography

© Robert Huber Photography

The Canon 50mm 1.2L is a newer L series version of another popular 50mm, the 1.4. Primary improvements to the prior released 50mm (1.4) include better weather resistance,  and better resistance to ghosting/flare. In quick comparison, it is quite easy to see (and feel) the superior build quality.
A quick look at the mount will show a nice rubber seal, a great improvement over the old lens. Canon suggests the use of a UV filter on the front to completely weather seal this lens.
This lens shoots excellently in very low light! During use, it has been commonly said that this lens tends to “hunt” for a focus, this is solely due to the razor-thin area of sharp focus allowed by such a small aperture- a problem very easily overcome by use of the full-time manual focus ring offered. The resistance to flare offered by this lens is quite amazing.
I used this lens to photograph a band performance that was back-lit, and found it very easy to use the stage lights as “rimlights”, with absolutely no incidence of flare. The lens is very fast in daylight also, allowing buttery-smooth out of focus backgrounds that are truly to die for.  With the advent of many 2.8 zoom lenses out there many people forget about the magic of a standard prime lens, I truly believe this lens is a must-have for any portrait or photojournalist style photographers out there. When used on a crop-sensor body, it allows one to get just out of the comfort zone for some excellent portraits.
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Canon 50mm 1.2L

Focal length and max aperture: 50mm f/1.2
Lens construction: 8 elements in 6 groups
Diagonal angle of view (full frame): 46 Degrees
Close focus distance: 1.48 ft/ .45 meters
Filter size: 72mm
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